It has been a long while since anyone caught a glimpse of Daniel Day-Lewis. Following his announcement in 2017 that he would no longer work as an actor, just before the debut of The Phantom Thread, Day-Lewis withdrew from the spotlight. Yet, in his absence, his reputation expanded further.
Primarily, this reputation revolves around his favored style of working. Being an actor known for disappears into the roles he plays – for example, during Lincoln, he had the director address him as “Mr. President” throughout the shoot – the world has become increasingly obsessed with his process. Is it true he really send messages to co-star Sally Field in character as Lincoln? Was it accurate that he consumed solely game he hunted during Last of the Mohicans? Did he insist on being spoon-fed for My Left Foot?
Extreme acting methods: have we fallen out of love with over-the-top performances?
Now, Day-Lewis has returned to public attention, somewhat reluctantly, for his new film Anemone. And he is using this to express his anger at how the Method technique is viewed. “I’m a little cross these days when I hear all kinds of people gobbling off and saying things like ‘fully embraced the Method’, which seems is meant to imply that a person’s acting insane in a drastic way,” he stated to a major publication. “Everyone tends to focus on superficial details of the work, and these elements always seem to involve some form of self-punishment or a situation that imposes upon oneself a severe discomfort or psychological strain. However, in the life of an actor, it must mainly focus on the inner transformation.”
To be honest, this sounds like the actor has come out from his retreat and found himself shocked by the world that has been created in his image. If you’re regarded as one of the greatest performers to ever work, and your approach involves striking a prop to the point of injury (for Gangs of New York) or spending 48 hours in isolation without food or water (for In the Name of the Father), then it stands to reason that other actors will attempt to emulate that example by imitating their idol.
Essentially, we exist in a landscape populated by half-cocked imitators of Day-Lewis who strive only to demonstrate the extensive degree of effort they invest in a character. On the milder side of the pool we have people like Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the entire promotion attempting to persuade people that she became an Italian native for a year and a half in preparation.
Additionally, there is Jared Leto, who decided to immerse himself in the character of the Joker (in Suicide Squad) by sending “horrifying” gifts to fellow cast members. These items, depending on who you ask, included dead pigs and rats to anal beads and used condoms, although the actor refuted the most extreme claims. Then, naturally, there is Jim Carrey, who immersed himself so fully as Andy Kaufman for Man on the Moon that filmmakers succeeded to get a full-length documentary out of B-roll of him causing difficulties as impossible as he could for everyone around him.
The main Method Guy at the moment would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process during Succession was so rigorously detailed that it formed the subject of a critical magazine feature, including statements from individuals who were either concerned for his behaviour (“The toll on himself that worries me,” remarked co-star Brian Cox) or annoyed beyond all measure by it (“I remember [him] making others roll their eyes,” stated an anonymous cast member).
The actor claims he ‘never intended to retire, truly’
There are so many other examples. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio rested inside an animal carcass for The Revenant. It’s quite possible that Austin Butler continues to talk like Elvis Presley, three years after the movie’s release. All of this, to some extent, is meant to invoke the dedication with which Day-Lewis approaches his work.
Moreover, while his fightback to critics of the Method might be noble, a brief promotional cycle might not be enough to alter perceptions, not to mention their practices. Perhaps if he wants to remind people what method acting is, or to demonstrate its potential results, then Day-Lewis’s best bet is to just begin producing additional movies. Surely we could all get behind that.
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